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arts stage - seattle rage blog by nancy worssam home theatre reviews theatre links arts reviews arts links about contact seattle museum resources june 11, 2018 | author nworssam would you believe that just as seattle moves into the best weather season of the year, i move out of seattle and resettle in sedona, arizona? well it’s true, and giving up seattle museums and all of its cultural resources is one of the most difficult aspects of the move. i have been so fortunate to have been able to see remarkable traveling exhibits at the city’s larger museums and to experience creative locally developed art and science experiences at our region’s museums galleries, and exhibition spaces large and small. i have been introduced to new-to-me local artists. i’ve revisited some of the works of my favorite world-renowned artists. i’ve been given new insights into the paintings of so many of these artists. i’ve learned new historical facts, been made aware of hitherto unrealized connections. i’ve been introduced to science facts and connections that i never knew about. and i’ve never forgotten how lucky i have been to live in a city with these assets. it’s not easy to give this up, and, of course, i can’t do it totally. so i will be returning to seattle a few times a year, and will hope to catch some exhibitions when i do. of course, i’ll post reviews of them as quickly as i can. thanks to all of you in the museum community for providing me and all the other seattleites and their guests with these eight years of wonderful experiences and opportunities to learn and see. and thanks to you readers who have found value in this blog. keep artsstage-seattlerage alive on your computer, and sooner or later there might be something posted that will resonate with you. posted in arts reviews | 2 comments » heading southwest june 11, 2018 | author nworssam would you believe that just as seattle moves into the best weather season of the year, i move out of seattle and resettle in sedona, arizona? well it’s true, and giving up seattle theatre is one of the most difficult aspects of the move. i have been so fortunate to have been welcomed by theatres big and small for more than eight years, graciously welcomed even after i’ve posted less than favorable reviews. i have had the opportunity to see stunning acting, brilliant direction, to see remarkable works by modern playwrights as well by the old masters. i’ve been mesmerized by creative production values. i’ve loved seeing appreciative audiences, and been amazed at both the variety and vitality of seattle theatre. it’s not easy to give this up, and, of course, i can’t do it totally. so i will be returning to seattle a few times a year, and will hope to catch some plays when i do, and post reviews of them as quickly as i can. thanks to all of you in the theatre community for generously sharing your talents with me these eight years, and thanks to you readers who have found value in this blog. keep artsstage-seattlerage alive on your computer. this is not a final curtain; it’s just an extra long intermission. posted in theatre reviews | 1 comment » “lady windermere’s fan” at taproot theatre may 22, 2018 | author nworssam oh oscar wilde, your astute impressions of the british upper class seem as sharp today as they were in the late 19th century when you wrote your plays. and i must tell you that you aren’t entirely successful at hiding your attitudes toward class and politics, but then you never wanted to, did you? your humor, of course, is still pertinent, and your characters, with just a little imagination, could be our contemporaries. their snobbery and marital distrust are features of our own society, yet how we love to see all this revealed, as you do it, in lives from past generations. we’re certainly immersed in a snobbish society in this play, just as we are immersed in a society in which males were in charge (totally and absolutely). wives were expected to be utterly faithful to their husbands just as they were expected to obey his rules. they bore his children, entertained appropriately, made the proper social connections, and, if they were particularly inventive, perhaps they did some watercolor paintings (landscapes, no nudes) or excelled at needlework. of course they carried fans in an age before air conditioning, but those fans did much more than keep them cool. they served also to deliver subtle messages. lady windermere, as we see, was not as careful with her fan as she should have been. taproot’s presentation of “lady windermere’s fan” plays out on a suitably classy, period perfect set (mark lund). lund is also responsible for sound. kent cubbage’s lighting reinforces mood and period just as jocelyne fowler’s lush costumes epitomize the late 19th c. upper class english. directors karen lund and marianne savell have assembled a fine cast, all of whom seem to settle well into the period. this is a good ensemble whose members play off one another with grace and impeccable timing. i happen to love oscar wilde. if you are unfamiliar with his work, this is a good introduction. if you know his work well, this will please you. through june 23 at taproot theatre, 204 n. 85th st., seattle, 206-781-9707, taproottheatre.org. posted in theatre reviews | no comments » “hand to god” at seattle public theatre may 21, 2018 | author nworssam “hand to god” at seattle public theatre hysterically funny, the funniest play i’ve seen all year, well, no, maybe in the last five years! but it’s not only funny. playwright robert askins has written a wildly creative, totally unexpected, simply delightful play, and infused it with exquisite poignancy despite its irreverent humor. kudos to kelly kitchens for her adroit direction of this little gem. here we are in a christian church that supports a puppet club designed to reinforce the christian message to the youth of the congregation. unfortunately for poor, and somewhat naive, pastor greg (martyn g. krause), when jason (ben burris), one of his young parishioners, introduces his hand puppet, tyrone, things go wildly out of control. tyrone is outrageously irreverent and impossibly behaved. to say he wrecks havoc is to understate his impact. puppeteer burris is simply remarkable. he not only provides rich emotions for his human character, but at the same time controls puppet tyrone with consummate skill and wit. tyrone is, of course, the major character in this irreverent comedy. the puppetry is magical, and it should be mentioned that tyrone has some of the best lines. but it’s the skill of burris that makes tyrone into star material. it’s an adept cast that supports tyrone and his handler jason. martyn g. krause exquisitely captures the cluelessness and sexual hunger of pastor greg. hannah mootz brings scintillating sexual energy to the stage, and sunam ellis and arjun pande are able supporters with their own sexual interests. for those who revel in wit and skill, this is a must see. it played on broadway in 2015 and received 5 tony nominations. through june 3, at seattle public theatre (in the bathhouse at green lake), 7312 west green lake dr., n., 98103, seattle, 206-524-1300, www.seattlepublictheater.org. posted in theatre reviews | no comments » towards impressionism: landscape painting from corot to monet now at the frye museum through august 5 may 14, 2018 | author nworssam if the impressionists are among your favorite artists, and if you love dreamy 19th c french landscape paintings, the frye museum has an exhibition for you. fifty-one glorious landscape paintings by artists including such greats as corot, rousseau, boudin, courbet, renoir, sisley . . . need i go on? this is an extraordinary exhibition in which most of the works are on loan from the mussée des beaux arts in reims, france. the frye curators have wisely added to them selections from the museum’s own collection, providing the viewer with insight about the interests of mr. and mrs. frye. the reims museum is widely recogniz

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